I know I haven’t posted for awhile, but I have actually been been able to find something to enjoy in each episode (well, usually). But, I’ve said it before and I’ll say it again — some of Dena’s ideas sound good on paper and have real potential, but the execution of them is usually slapdash and all surface level. I have to try hard to block out my brain when it starts whispering, wow, if they had done it this way this could be a really good story. Why aren’t they doing it this way?
But on that surface level, there are things to enjoy. The Prague scenes are a perfect example. It’s all plot, but it’s been fun to watch our guys running around, chasing clues and talking about the case. It’s bittersweet to hear all this talk about Stefano being alive when Joe Mascolo has just died — I’m hopeful that he will turn up in a scene or two that he filmed before he died. How amazing would that be?
Anna’s appearance added a welcome comic element to the Prague story. Carting around Tony’s ashes in what looks like a cocktail shaker, waving a gun around, speaking French to the Czech policeman, sparring with Marlena. I especially loved the interplay when Anna watched jealously as Carrie hugged Marlena and then Carrie and Anna sniped at each other.
Christie Clark played the exasperated straight man perfectly to Leanne Hunley’s kooky screwball heroine. It was all so great that I was gobsmacked to realize that Carrie and Anna have hardly shared any scenes at all, and not since 1986!
So seeing Carrie and Anna was a major treat, but seeing Carrie and Austin gave me warm fuzzies too. Not because I ever shipped them (I missed their 90’s heyday), but because seeing Austin Peck standing there woodenly reminded me of 2005-6 when I was posting constantly on the Television Without Pity board. We called Austin the “Forehead of Thought” and made many, many jokes about his woodenness and his stupidity. Sigh. That board was so much fun.
Regarding the other stories, I’ve gotten to the point where I am FFing all of Hope’s prison scenes. I try not to FF in general, but these scenes are just painfully bad. I am still (with reservations) enjoying the Chad/Abby/Gabi scenes, but I’m starting to feel a familiar dread. Last time Dena was writing, she arranged the twenty- and thirty-somethings in complicated quads that featured endlessly revolving couplings and uncouplings. (Being a fan of the slow burn love story, it’s one of the things I dislike most about her writing.) What she’s setting up with Chad/Abby/Gabi/JJ/Lani/maybe Dario/maybe whoever — has the same feel to it. I think Chad and NuAbby have chemistry, as I mentioned in my last post. I really love their angsty scenes, and I thought their date scenes this week were great. I mean … look at them.
But, but … I’d rather they were apart and longing for each other right now. I’m almost feeling the “longing for each other” story element with Chad and Gabi. If I set aside how silly it is that Chad and Gabi are using the L word after a few kisses and one makeout session, the supercouple scenario is more on their side: just as they are about to get together … the dead wife comes back from the grave! But, I don’t think they are endgame, so it’s all a bit weird.
Sigh. It’s like Bizarro world. Everything is backwards.
Next week, ERIC!!