Payoff

As an Ericole fan, I’m in heaven right now. And hell. But mostly heaven.

Brief though the reunion will be, the show pulled out all the stops for it. When was the last time we saw a whole episode devoted to an estranged couple’s heartfelt confession and hashing out of past misunderstandings, followed by two episodes of them in bed together?

Swoon.

Shipper reactions aside, it was such good, satisfying soap. The juxtaposition of the Ericole reunion scenes with Brady fretting about Nicole’s whereabouts was particularly well structured. When he said bitterly to John, “It seemed my brother knew what Nicole needed more than I did,” and the show cut to Eric laying Nicole down on the bed … well, nuff said.

Their hash it out conversation was very good, and Greg and Ari both played the hell out of it, particularly the final exchange before their kiss. (I do so love an angsty “we shouldn’t do this but we can’t resist” scene.) It all went a long way to fix the sad hatchet job that Dena and Josh did on Ericole, though “I’ve wanted this for so long” worked a lot better for him than it did for her. I would rather they had written her lines more like, “How could I have been so blind?” But that is a mere quibble.

When Nicole went to break the news to Brady, I actually think the dialogue was even better. First of all, as I said last time, dark Brady is so much more compelling than nice guy Brady. Eric Martsolf played to the hilt Brady’s cynical bitterness at this whole true love reunion. His snide comments were nevertheless on point: “Oh, the passion just overwhelmed you, you just had to hit the sack.” Well … yeah.

So, painful as it all was, it was also somehow refreshing. Because it feels like things are back in their proper place at last, compared to the last two years, where Ericole and their history were simply erased. I particularly liked when Nicole said that her hatred of Eric was a wall, keeping her from facing the truth that she loved the man who killed Daniel. I said in my last post that her forgiveness of Eric was like a dam bursting, so I’m glad to see Ron hitting the same point. And Brady pretty much summed it up when he sneered in response: “There’s a thin line between love and hate, isn’t there?” Well said, Brady.

All in all, it was a perfect way to write out Nicole: use the Deimos murder, have a full-fledged Ericole reunion (that still leaves Eric free for another pairing), take Brady in a different direction, leave open the possibility for Nicole to return (in nine months with a babe in arms, perhaps? Just saying). The broken relationship between Brady and Eric should be a gold mine for quite some time.

Contrast this to Theresa’s exit, which in some ways this resembles. An old boyfriend of hers, who just happens to be a Mexican drug lord, shows up with no connection to anything, and we have to swallow that Shane and Kim would allow their daughter to whore herself out to him indefinitely in order to bring him down. And as far as we know, she’s still there, right? I was never a huge fan of the character, but for those who were, what a slap in the face.

The only really compelling part about Theresa’s exit was when she had to lie to Brady and pretend she didn’t love him (very soapy, and presumably Nicole will be doing the same with Eric next week). Of course, to get the most drama out of it, there should have been major fallout for Brady from believing that lie … but instead he hardly mentioned her at all. What a waste.

I should say: he never mentioned her, until this week, when Ron made a solid attempt to tie together Brady’s treatment at the hands of Kristen and Theresa with his treatment of Nicole now. Brady had a great line when he said that after Theresa and Kristen, he was going to turn his best friend, Nicole, into the love of his life, and she would never let him down. What a great way to make this a cumulative response to those experiences, and to retroactively explain the sudden change in Brady’s feelings for Nicole last winter!

At any rate, my only worry now is that Ron set all this up merely as a good way to write Nicole out, and won’t properly deal with the fallout. Eric should not be willing to take Nicole’s exit at face value, and Brady needs to stay dark for awhile and then he actually has to PAY for this crap. We’ll see … being a long term Days viewer does make one cautious! But for now, I literally cannot imagine how it could have been better. How often can I say that?

Screencaps Joanie

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Off the wagon

Sorry for the long time without a post, everybody. I honestly think now that I would have been better off not watching Days for the last six months of Dena, and started fresh when Ron’s material started. As it was, almost all the characters that were featured heavily under Dena I grew to dislike or (what is almost worse) be bored and impatient with.

But this last couple of weeks  — despite the relative absence of Steve and Kayla, grr — I have finally started to truly enjoy the show and look forward to watching each day. So far I’m excited to see how the double wedding will play out, but let me back up a little and talk about some other stories first.

Let me start with Lucas. I have been off and on over the years with Lucas/Bryan Dattilo, but I think this story has really given him a chance to shine. I particularly like how even though the trigger to his relapse was Adrienne/Bonnie dumping him, the show has made it clear that it is about so much more than that. Kate’s decision to say “I told you so,” fire him, and then try to save him, is unfortunately in character, and it has given Lauren Koslow the best material she’s had in years, too.

It’s an old cliche in soapland that characters will be forgotten for years, and then right before they come back, everyone is talking about them. But when drunk Lucas ran into Gabi and Ari and Gabi made it clear she is going to keep Ari away from him, it gave Lucas another reason to feel he’s losing everything, and it led naturally to thoughts of Will … right before he stumbled into the church to see Will’s widower ready to marry someone else. Genius!

I really, really liked Lucas’s rant to the two prospective married couples. First of all, it drives me crazy when soap writers feel the need to have everyone approve of everyone else. So when Lucas lashed out not just at Sonny but at Chabby as well — his point about the 40% divorce rate was perfect, and he could have added that it’s more like 90% in Salem — it was a refreshing change of pace.

Lucas’s conversation with Will was also surprisingly nuanced. I particularly liked how Lucas kept saying Will was just his own drunk mind talking to him, and Will neatly turned that around to mean that Lucas knew everything Will said was true. Chandler Massey’s mournful demeanor added just the right pathos to the scene, and he and Bryan played off one another perfectly as father and son. I didn’t see all of Chandler’s first run as Will, but it always seemed the show focused more on his relationship with his mother. So this was particularly gratifying.

I supect that Will’s return is going to be just what is needed to jolt me into caring again about Sonny and Paul.

I always thought that the triangle of Will/Sonny/Paul had the potential to be far, far better than it was. A triangle where ALL points of the triangle can be paired with each other should have been a gift to a creative soap writer, but it was hampered by the flat, repetitive writing, Will’s abrupt change of character to “baby Sami,” and Guy Wilson’s acting. Let’s hope Ron has something better in mind.

Compared to Lucas’s abrupt fall off the wagon, Brady’s has been more gradual, but no less serious. I really like that the show had them fall off the wagon together, but then took them in different directions.

I would have liked to see the show connect the dots a little bit more to explain why Brady would suddenly turn to the dark side (lots of angst to mine in Theresa’s departure), but I do love the result. Brady is undoubtedly handsome and charming, but he has always been just kind of there for me as a romantic lead. But give him some alcohol or some cocaine, let him be eaten up with jealousy, and suddenly I’m interested.

I think what Eric Martsolf is particularly good at playing is the strenuous self-deceit that goes into maintaining the false front of an addict; it’s rather like the old saying that the best liars are those who believe their own lies. When he protests that he’s fine, Nicole hanging out with Eric is fine, no, he doesn’t want to drink, everything is FINE — it’s clear that he wants it to be true so much that at that moment, it feels true. And the stress of maintaining that false front makes him lash out all the more behind Nicole’s back.

That brings me to Eric and Nicole. As a shipper of course I am delighted that Ron clearly intends to revisit them one more time — short-lived though it may be. I’ve seen many people pose the question about what that means for Eric after Nicole leaves in November –and it’s a good question! — but at the moment I refuse to think that far ahead.

The story is moving quickly, by necessity, but so far logically. The show has taken advantage of the fact that Nicole has hated Eric for so long, TOO LONG, to slyly suggest that finally forgiving him has been like a dam bursting. This round of the Bricole relationship, as with all things Dena, has been poorly explained, but I’m willing to squint my eyes a little and say that both Nicole and Brady got involved with the other as a safe harbor. Brady, burned by Theresa who (he thinks) abandoned him, and Nicole after making the colossal mistake of getting involved with Deimos. I could take it one step further (and maybe get into fanwanking territory) and say that she secretly longed for Eric who has rescued her so often in the past, but since she told herself she hated him, she got involved with the one person who is as close to Eric as possible without actually being him.

At any rate, I like how the show has taken Nicole’s gratitude to Brady for helping her when she was at her lowest, and given it a twist by having Brady threaten a judge for her, and then make sure she knows it. It makes that gratitude a little bit manipulated, and stands in contrast to Eric’s selflessness and integrity in regards to the hearing (when he testified on her behalf) and her job at the Horton Center. The scenes at the Horton Center have been a delightful callback to their work together at the rectory … which would not be complete without hot fantasy or two. Yowza! Go Eric!

I really look forward to seeing how Nicole reacts to learning that Brady tried to get Eric to fire her, which she surely will, and the real reason Eric hightailed it back to the farmhouse. And given that he knows she killed Deimos, and Eric doesn’t,  I see that coming back to bite her … and possibly be the seeds for her departure.

Bad Tripp

Mixed bag this week.

I thought the hospital scenes with Abby were well done. Missy Reeves was particularly good, and I teared up when she mentioned holding Abby’s fingers as a baby. I appreciated how we saw most characters in town being told the news of the accident and expressing their concern — think about how Dena handled Kayla’s brain surgery as a sad contrast.

I am still a little fuzzy on Chad’s reaction and what it means for the Chabby/Chabi relationships.

He is clearly overcome with grief and guilt for Abby, and feels keenly that the last words he said to her where “stay dead” (Billy Flynn is hitting all the beats there), but I’m not getting (yet) a sense of “It’s really you I’ve loved all along” — the dialogue feels a little more ambiguous. Even when he said tearfully to Abby “I love you,” it still didn’t come across as an epiphany, at least to me, and the camera went to Gabi’s reaction. I really don’t want to see more of him being torn between the two women — it is damaging the character. However, I might be reading this all wrong. I’m content to watch for now and see how it goes.

I am very curious what they are planning with Eric, Nicole, and Brady. They’ve cleared turned a page here and I’m waiting to see how it all shakes out.

I’ve seen some complaints that Nicole keeping her forgiveness of Eric a secret doesn’t make sense, but that doesn’t bother me. People often put off uncomfortable conversations, and that’s the kind of secret I think this is — though taken to an extreme. Also, her instinct to keep this a secret could be telling, that she knows deep down that her forgiveness of Eric means other walls are coming down between them too. All I know is that the scene of them together in Eric’s room was played by both Greg and Ari with a lot of sexual tension, and the moment when she said, “Of course there is nothing between us,” as she turned away, was Soap Denial 101.

From a character (not just shipper) perspective, it was a lovely scene. We saw how much it meant to Eric that she had forgiven him, when he was worried that she had changed her mind. That gave him a reason to go along with her wishes, even though he knows it’s not a good idea. I loved that he tried to talk her out of keeping this a secret by quoting scripture, and the touch of sarcasm with “And you think this is a good idea?” was perfect.

Why is Brady suddenly gripped with irrational jealousy regarding Nicole? Who knows? They could give us any number of reasons that connected with his history with women, but they haven’t. Brady as a character has suffered from bad, or nonexistent, characterization, but he has certainly jumped from woman to woman, convinced each time that this is True Love. This could be explored, or even acknowledged, by the show, but instead the show presents each relationship with a straight face — including his current one. It would be fascinating for Brady to realize that he and Nicole have a similar history of jumping from relationship to relationship, which could give him a reason to doubt what they have now … especially in contrast to Eric’s steady constancy.

Speaking of whom, they need to do more with the fact that this is Brady’s brother he’s jealous of, who he has always been close to, and who has recently been to hell and back…. and who he was recently urging Nicole to forgive.

That brings me to Steve and Kayla. I talked last time about how this story didn’t have to be so crummy, but the fact is that it was, and Ron didn’t really do anything to fix it before heading to this big showdown. I have no sense of Tripp as a person; his characterization is so paper-thin, his reasons for blaming Kayla so laughable, that it sucked a lot of the drama out of the scenes on Friday. I know the Dena portion of the story cannot be unwritten, but how hard would it be to have Tripp overhear Kayla saying to Steve, “I just hope Tripp never finds out the truth about how his mother died” or something else to send him over the edge right now?

Kayla was written well during the scenes themselves — I liked how, after her initial shock, she went to compassion first, and then (finally!) anger when the extent of Tripp’s hatred and delusion became clear. (I’m assuming Ron knows that Steve didn’t actually “leave” Kayla for Ava.) And Steve and Joey talking about Tripp at the same time and putting the pieces together was reasonably well put together.

But, I have to admit the whole thing depressed me, and it’s going to take some pretty damn amazing writing for me to accept Tripp as a viable character after this. Also (and it really pains me to say this), but I feel a little bit like that with Joey as well. Having Joey kill Ava was a major, major mistake, and no matter how many times Steve tries to say it was “sort of” self-defense, that’s not what happened. I don’t know how Joey is exiting the canvas, but I hope it’s something that redeems him a little and gives the character some strength and independence (but doesn’t kill him off). Then, down the road, maybe we can get a recast and a fresh start for him.

In the meantime, give us a Stephanie.

Screencaps Joanie

Forgiveness

Ron’s second week was solid soap. I appreciate how each episode zips along — there is momentum, and energy, and suspense. I appreciate good plotting, and the suspense surrounding Dario’s arrest and attempt at blackmail, plus the multiple-character maneuvering over Theo’s laptop, was particularly well constructed. I am liking Marci Miller and Chabby 3.0 more and more. Friday’s cliffhangers — three of them! — were all terrific and have me looking forward to next week.

But, I need to talk about Tuesday’s Ericole scenes. First, can we take a moment to appreciate Greg Vaughan as one of the best male criers in the business:

I loved that Eric was touchy and angry when Nicole first found the letters, and snapped at her for snooping in his desk. For all that I love Eric’s tortured, against-all-reason love for Nicole, that doesn’t mean I want to see him being a spineless noodle — in fact, the pride and anger makes the suppressed longing all the more appealing.

That’s why I can’t get enthusiastic about Jeneric, even though I get why people would, for the character Eric’s sake — hey, we even saw him smile again on Monday! But Greg Vaughan plays intense, bottled-up emotion so well, and I can’t see a Jeneric relationship being anything but cute. As I said last week about Chad, one of my favorite things about soaps is the intense, tortured loyal man in love. And what could be more tortured than being intensely in love with a woman whose fiancé you killed?

Of course, Days has failed immensely in the characterization of Nicole this past year. She is not naturally a suffering heroine type. Even though Arianne Zucker can do suffering and angst, it is best when it is layered with some zip and some spunk and some snark. Tuesday went a little ways toward repairing the damage done — at least, it fixed the hypocrisy of her withholding forgiveness from Eric when she has been forgiven of at least equal crimes. In fact, I would say the dialogue would have been better if it had emphasized that aspect, rather than how Saint Daniel would want her to forgive.

In the end, perhaps the crucial question is not whether Nicole can forgive Eric but whether the viewers can forgive Nicole. I really have no idea if Ron will go for it with Ericole or how he would even approach it, given that Ari is leaving … but, for me anyway, the heart wants what the heart wants, lol.

Turning to Steve and Kayla — I have mixed feelings. It was a fantastic coincidence that Steve and Kayla’s yacht wedding anniversary happened to fall in Ron’s first full week, and kudos to him and his team for taking advantage of it. Seeing Steve give Kayla a yellow rose, sign “Happy Anniversary, Sweetness,” give her a bracelet with an anchor charm, and then swoop her into a slow dance … well, my Stayla shipper cup runneth over. All this shows a lovely the attention to history (the sign language particularly made me swoon) and besides, it fits with the character of Steve — he was always given to outsized romantic gestures.

I could be churlish and point out that these little details cost a writer nothing and are no substitute for a actual frontburner story, but I won’t do that. Instead I’ll give Ron (or Sheri) full credit for this … and still go on to complain about the Tripp story.

Looking back on it, it is truly pitiful how badly it has been executed. I would just like to point out that even though I would have always been against the idea of ANOTHER Ava-themed story, this one could have been actually good. Imagine if Tripp had come to town as a street kid with a rough, hardscrabble past. He knows Ava is his mother, but he doesn’t know who his father is.

He has some early, negative interaction with Steve — maybe he is caught stealing and Steve catches him. He is arrested and gets community service — he doesn’t know Steve actually helped him by talking down the charges and getting him out of jail time.

Tripp tracks down Angelo, who takes him in and gives him a home (first one he’s had that’s not foster care). Angelo feeds him a lot of lies about how the newspaper stories about his mother are wrong; she was demonized to justify her killer: Steve.

Tripp could also interact with the teens in various ways; for our purposes, he gets to know Joey. Say Tripp truly is bright and has a lot of potential, and he expresses so much interest in medicine that Joey introduces him to Kayla.

In the meantime Steve has caught wind of possible child with Ava, and he is chasing around trying to find him. Kayla goes with him on some of these adventures. She has mixed feelings (which are shown to the audience and respected by Steve) about a child with Ava, but her mentoring of the street kid Tripp helps her reconcile herself to the idea a bit.

Tripp is shown growing close to Kayla, but he keeps his distance from Steve and acts weird when he is mentioned. Kayla and Joey attribute this to Steve catching him stealing. He discreetly quizzes Joey and Kayla about Steve and (in his mind, not openly) makes the most of Steve’s past mistakes to justify thinking Steve is really a bad guy. As time goes on, Tripp is torn between his revenge — that Angelo is egging him on about, and he feels a certain loyalty to him — and his genuine growing interest in being a doctor and his friendship with Joey and Kayla.

It all ends with Tripp kidnapping Steve with the intention of killing him, but he dithers. While Steve is missing, a lead comes through on the investigation that shows Kayla the truth: Tripp is Steve’s son. She runs to Angelo, figures out where Tripp is holding Steve, runs in just as Tripp is about to shoot Steve, shouting “Don’t kill him! He’s your father!”

Okay, I got a bit carried away there. The point is that this story did not have to be inherently bad, and so far Ron doesn’t seem to be fixing it. We don’t even know whether Kayla believes she is being framed or if she really made those mistakes. Tripp’s motivation for targeting Kayla is as weak as before, and he remains unsympathetic because of it. I’m delighted to see Steve finally suspicious of Tripp in Friday’s cliffhanger, but I’m worried about the story just being quickly wrapped up rather than fixed.

Screencaps Joanie

I’m baaaaaaaack

Well, we made it.

My hatred of Dena Higley’s writing is of long standing — I actually was driven away from Days during her last stint in 2008, even before Steve and Kayla left the show in 2009. Looking back, however, her second run was positively Shakespearean compared to this stint.

How depressing.

My complaints about her writing are no doubt known to all of you. Event driven stories, thin, cartoonish characterization, lack of payoff, offscreen characters driving story, insufficient attention to character motivation, mix n match couplings … the list could go on and on. When I went on hiatus here three months ago, I HAD to stop watching every day, to avoid getting to the point where I hated everyone and everything in Salem and wanted to blow up the whole town. For instance, I used to like Chad, Abby, and Gabi, but I slowly grew to hate them all in the course of this wretched triangle.

But next week, every character and every story is getting a fresh start with me. I had glimmers of liking Chabby again during the Halo party. I liked Chad/Billy Flynn a lot for all of 2015 and 2016, so I don’t think it will take much to get me back in his camp. And I WANT to like Marci Miller. I was never a diehard Kate Mansi fan — I liked her when the writing was good in the fall of 2015, not so much before or after. So I think Marci and this version of Chabby could win me over too. Anyway, I’m going to give them a chance.

Of course my favorites have remained my favorites: Steve and Kayla, Eric and Nicole. Nicole has certainly tested my patience, but fast-forwarding has been my friend there. As soon as I hear the word “Daniel,” down goes the FF button. Does wonders for my peace of mind!

The show has been improving — slightly — over the last few weeks. I thought the Martin house party was mostly good, by Dena standards. I’ve been enjoying Eric and Nicole since then, too, and I hope we’ll get a little Ericole story before Ari leaves this fall. I’ll talk about them more in my next post.

But for now, let me focus on Steve and Kayla. I wish I could say that I have found redeeming moments in this Tripp story. I recognize that Lucas Adams is a decent actor, and Stephen and Mary Beth have certainly been giving it their all (as they always do), but I have found the whole thing to fairly wretched. Starting from the insertion of Ava YET AGAIN into their story, the lack of buildup to Tripp’s first appearance, the insta-bonding with Steve, then the insta-bonding with Ava’s ghost, the lack of a meaningful point of view for Kayla, Steve and Kayla’s general cluelessness, Jade’s role as wet dishrag/femme fatale … well, need I go on?

But even here — deep breath — I am going to try my hardest to wipe the slate clean and give Ron a chance to redeem it, and especially to redeem Tripp so I can stand the guy even a little bit.

I am mostly unexcited so far by the return of Anjelica in the form of Morgan Fairchild. (If it were Jane Elliot, I think I would feel differently. Just imagining her in these same scenes makes them 1000 x more interesting in my mind.) However, the story has not been terrible. It suffers from the usual lack of buildup, of course, but it has some points in its favor. First of all, it has given Steve and Kayla a chance to interact with characters other than Jade, Tripp, and Joey, which is a major plus. And second, it gave us those delightful scenes on Monday.

Even in the 80’s, Stephen and Mary Beth rarely got to do comedy, and it’s a shame, because Mary Beth is a natural comedienne. So scenes like these are a rare treat:

Some good lines here. My favorite was “Do I tell you how to remove a spleen?” Ha!

Mary Beth was giving off a major Lucille Ball vibe in these scenes, in her expression above and in this moment, when Anjelica mentioned smelling “cheap” perfume:

Adorable.

And then they finished it off with a cute, sexy scene at the end, when Kayla rushed them from their meal so they could go home and get it on:

This, to my mind, was a perfect episode arc for an established couple. A little plot, a little comedy, a little romance and sexiness. More please.

I’m not naive enough to think that the glory days of Days are ever coming back, but with Sheri on his side, I can’t help but be a little more hopeful about Ron than I would be with just any writing change. At any rate, I hope I’ll be able to watch my show without wanting to gouge out my eyeballs. So you can see I’m setting a high bar.

Welcome to Days, Ron!

Screencaps I ❤ SnK 

 

 

Glimmers

I swear, this show gives me whiplash. Every week or so, along will come an episode that zips along in an enjoyable fashion, and I think “You know what, these stories are fun. Maybe I’m too hard on Dena.” And then … another episode, same characters, some stories, and it’s back to watching paint dry. Badly.

At any rate, the last few weeks, I have found glimmers to enjoy. The premise to the Orwell story is dumb, but it has provided a framework for some interesting interactions. The writing for Jennifer has been better than it has in years, getting her back to her investigative reporter roots. And, while Drew’s return is the most baffling return since … Hattie, his scenes with Jennifer have been tons of fun.  I’ve also enjoyed Gabi and Abby teaming up, though the supposed triangle with Chad/Abby/Gabi has mostly been underwhelming. Note to Days, it’s not romantic to show Chad “working on his marriage” like it’s a chore. The show is clearly setting up for something to happen with Chabi during this kidnapping, and it just makes Chad look fickle. At the moment I’m not rooting for either Chabi or Chabby — which I often find is the case with Dena’s “romances.”

In Prague, since Anna, Carrie, and Austin’s departure, we’ve had all the excitement that sitting around in the lobby can provide. Whew! But, this masquerade has at least given us some awesome eye candy:

stevekaylamasquerade2

And Marlena throwing shade at Rafe as he fretted about the plan was comedy gold. I also liked the Paul/Sonny scenes — Sonny was adorable with all his spy talk — but I’m waiting for the show to actually give them some kind of conflict, some journey to be together. They are starting to remind me of how JJ/Gabi started — promising chemistry but no story.

As for the other big story, the baby Holly saga — I haven’t been as down on this story as so many people have, but I have to admit the last couple of weeks have been pretty bad. Chloe’s reservations about Deimos were certainly well-founded, but now it seems clear she was only using him as a convenient excuse. Which is fine, and in fact it should make the story better, but it doesn’t. It all feels slapped together for the sake of the plot.”Shit, we’re running out of reasons for Chloe to keep Holly from Nicole, come up with another one, quick!”

The only bright spot (for me, anyway) is Nicole finally getting a clue about Deimos. I know she hasn’t broken up with him yet, but that seems to be where the story is going. In his eagerness to prove he’s the man for her, he rushes out and does something stupid and violent (to the judge, to Chloe) and it ends up rebounding on Nicole. I hope that will inspire a little self-reflection on her part as to how she could be so wrong about him, but we’ll see how it shakes out.

At the moment it’s looking like I might not be getting my Ericole, since they seem to be busy setting up Brady and Nicole (and possibly Eric and Jennifer) instead. For now, I’m just trying to enjoy Eric’s return and take it as it comes. Eric’s scenes with Jennifer were surprisingly bittersweet, especially the moment when she called herself his friend. Greg Vaughan did so well conveying how touched Eric was by that, showing how isolated he has been. This was another bittersweet moment, from today:

ericpicture

I’m ready for him to have scenes with people other than Hope. I’m curious what will bring him back to Salem, if he’ll come back with Hope when she is cleared or if it’s something else. I was intrigued to find out that these Hope/Eric scenes were probably originally planned for a new character – a casting call went out for a former doctor who lived off the grid, who would be interacting with Hope. It will be interesting to see if we can pinpoint when the main story for Eric kicks in.

Screencaps Forever_SAFE

Deimonic

When I first started going to message boards in 2006, I couldn’t figure out for the life of me who this “Shelle” person was. I’m embarrassed to say how long it took for the light bulb to go off. When it finally did, I initially thought the whole concept of couple names was overly cutesy and an affront to proper grammar. But, I have since completely reversed my position. Some couple names sound truly lovely (Lumi, Ericole) and the ones that don’t (Bope, EJami) still save a few keystrokes. It’s also fun when fans of a couple will go with one name (Danicole) and non-fans another (Dicole). So it has been with Nicole and Deimos. Neimos is what I see on Twitter as the neutral-to-positive name for this couple, and non-fans have kicked around Nicodeimos and (in a stroke of genius) Deimonic.

I haven’t made a secret of my dislike for this pairing, and as far as I can tell they haven’t caught fire with other fans either. And as Deimos keeps ramping up the villainy and with Eric back on the canvas, I think Deimonic is not long for this world.

I know a lot of people find it difficult to root for Eric to get together with the current version of Nicole, and I get it, I really do. It gives even me pause to imagine her going from loving Daniel, to Deimos, to back in love with Eric without a pause. I’m not bothered by the mere fact that she’s been with two different men, because Nicole has always had a past, and they’ve more or less established Nicole as a character who always wants to be with someone. It’s part of what I enjoy, the contrast between seen-it-all Nicole and priestly Eric, who seems virginal in comparison.

But what’s been missing the past year is the desperate edge that made her “looking for love in all the wrong places” sympathetic. And here I put the blame squarely on the day to day writing. They keep telling us she and Daniel had this once in a lifetime love, but I’ll never believe it. Even if I did believe it, it doesn’t fit her character to have her going on and on like Hope talking about Bo.* Talking about drawing strength from his love even in death, “what would Daniel do?” etc.

The emphasis through all of this should have been on Nicole’s certainty (after Daniel’s death) she could never find love without it all going wrong. (Even better if they made it clear that she wanted marriage and a family more than she wanted Daniel as a person, but that might be too much to hope for.) But, that just makes her more desperate to have love of any kind. That would create a feeling that she has to latch onto anyone who shows an interest. She’ll never have a great love, but she still can’t stand being alone. If a lifetime jailbird with questionable morals is the only option, she’ll take it.

So, I might have to pretend in my head that this is what happened, because I adored the Eric scenes from yesterday that indicated he was still in love with Nicole. There’s nothing I like more than a tortured man hopelessly longing for someone he thinks he can never have.

ericbrooding

And if the story had played out as I illustrated above … she moved on, but not happily; he never moved on … it would preserve the contrast of their two characters that I love so much.

And, of course we had some lovely, blink-and-you’ll-miss-it Steve and Kayla scenes yesterday too. I was a little distracted by the fact that Stephen didn’t act at all like he was in pain from his bullet wound. He was moving his arm freely and not wincing at all. Such is the healing power of Kayla!

stevekaylakissshoulder

I loved that Steve mentioned that the most romantic thing to him was that she jumped on a plane and flew across the ocean to nurse him back to health “just like Stockholm.” Sigh. And with Sheri back, in six months it will be just like Stockholm again.**

*Actually Hope never talks about Bo.

**Please don’t expect this.

Screencaps Joanie